Split Infinity

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“Do you concede?” he asked her, pressing the appropriate query button so that the machine would know. She had fifteen seconds to negate, or forfeit the game.

Her negation was prompt. “I do not.”

“Draw?”

“No.”

He had hardly expected her to do either. Concession occurred when one party had such an obvious advan-tage that there was no point in playing, as when the game was chess and one player was a grandmaster while the other hadn’t yet learned the moves. Or when it was weight lifting, with one party a child and the other a muscle builder. The dust slide was a harmless entertainment, fun to do even without the competitive element; no one would concede it except perhaps one who had a phobia about falling—and such a person would never have gotten into this category of game.

And so her reaction was odd. She should have laughed at his facetious offers. Instead she had taken them seriously. That suggested she was more nervous about this encounter than she seemed.

Yet this was no Tourney match! If she were a complete duffer she could have accepted the forfeit and been free. Or she could have agreed to the draw, and been able to tell her girlish friends how she had tied with the notorious Stile. So it seemed she was out neither for notoriety nor a dare, and he had already determined she was not a groupie. She really did want to compete—yet it was too much to hope that she had any real proficiency as a player.

They vacated the booth after picking up the game-tags extruded from slots. No one was admitted solo to any subgame; all had to play the grid first, and report in pairs to the site of decision. That prevented uncommitted people from cluttering the premises or interfering with legitimate contests. Of course children could and did entertain themselves by indulging in mock contests, just for the pleasure of the facilities; to a child, the Game-annex was a huge amusement park. But in so doing, they tended to get hooked on the Game itself, increasingly as they aged, until at last they were thoroughgoing ad-dicts. That had been the way with Stile himself.

The Dust Slide was in another dome, so they took the tube transport. The vehicle door irised open at their approach, admitting them to its cosy interior. Several other serfs were already in it: three middle-aged men who eyed Sheen with open appreciation, and a child whose eye lit with recognition. “You’re the jockey!”

Stile nodded. He had no trouble relating to children.

He was hardly larger than the boy.

“You won all the races!” the lad continued.

“I had good horses,” Stile explained.

“Yeah,” the child agreed, satisfied.

Now the three other passengers turned their attention to Stile, beginning to surmise that he might be as inter-esting as the girl. But the vehicle stopped, its door opened, and they all stepped out into the new dome. In moments Stile and Sheen had lost the other travelers and were homing in on the Dust Slide, their tickets ready.

The Slide’s desk-secretary flashed Stile a smile as she validated the tickets. He smiled back, though he knew this was foolish; she was a robot. Her face, arms and upper torso were perfectly humanoid, with shape, color and texture no ordinary person could have told from a living woman, but her perfectly humanoid body termi-nated at the edge of her desk. She was the desk, possess-ing no legs at all. It was as if some celestial artisan had been carving her from a block of metal, causing her to animate as he progressed—then left the job unfinished at the halfway point. Stile felt a certain obscure sym-pathy for her; did she have true consciousness, in that upper half? Did she long for a completely humanoid body—or for a complete desk body? How did it feel to be a half-thing?

She handed back his ticket, validated. Stile closed his fingers about her delicate hand. “When do you get off work, curie?” he inquired with the lift of an eyebrow. He was not shy around machines, of course.

She had been programmed for this. “Ssh. My boy-friend’s watching.” She used her free hand to indicate the robot next to her: a desk with a set of male legs protruding, terminating at the inverted waist. They demonstrated the manner the protective shorts should be worn for the Slide. They were extremely robust legs, and the crotch region was powerfully masculine.

Stile glanced down at himself, chagrined. “Oh, I can’t compete with him. My legs are barely long enough to reach the ground.” A bygone Earth author, Mark Twain, had set up that remark, and Stile found it useful on occasion. He accepted Sheen’s arm again and they continued on to the Slide.

He thought Sheen might remark on the way he seemed to get along with machines, but she seemed oblivious. Ah, well.

The Slide was a convoluted mountain of channels looping and diverging and merging. Dust flowed in them—sanitary, nonirritating, noncarcinogenic, neutral particles of translucent plastic, becoming virtually liquid in the aggregate, and quite slippery. The whole was dramatic, suggesting frothing torrents of water in sluices, or rivulets of snow in an avalanche.

They donned the skin-shorts and filter masks re-quired for protection on the Slide. The dust was harm-less, but it tended to work its way into any available crevices, and the human body had a number. This was one thing Stile did not like about this particular sub-game: the clothing. Only Citizens wore clothing, in the normal course, and it was uncouth for any serf to wear anything not strictly functional. More than uncouth: it could be grounds for summary termination of tenure at Planet Proton. Such Slide-shorts were functional, in these dusty environs; still, he felt uncomfortable. Their constriction and location tended to stir him sexually, and that was awkward in the company of a creature like Sheen.

Sheen seemed to feel no such concern. Perhaps she was aware that the partial concealment of the shorts attracted attention to those parts they concealed, enhancing her sex appeal. Stile, like many serfs, found a certain illicit lure in clothing, especially clothing on the distaff sex; it represented so much that serfs could only dream of. He had to keep his eyes averted, lest he embarrass himself.

They took the lift to the Slide apex. Here at the top they were near the curving dome that held in air and heat; through its shimmer Stile could see the bleak landscape of Proton, ungraced by any vegetation. The hostile atmosphere was obscured in the distance by clouds of smog.

The Slide itself was a considerable contrast. From this height six channels coursed out and down, each half filled with flowing dust. Colored lights shone up through it all, for the channels too were translucent. They turned now red, now blue-gray and now yellow as the beams moved. The tangle of paths formed a flower-like pattern, supremely beautiful. If Stile found the clothing physically and emotionally awkward, he was compensated by the view from this vantage, and always stood for a moment in minor awe.

For any given channel the colors seemed random, but for the arrangement as a whole they shaped in shirt-ing contours roses, lilies, tulips, violets and gardenias. Air jets emitted corresponding perfumes when appli-cable. An artist had designed this layout, and Stile ad-mired the handiwork. He had been here many times before, yet the novelty had not worn off.

Sheen did not seem to notice. “On your mark,” she said, setting the random starter. The device could pop instantly or take two minutes. This time it split the difference. The channel barriers dropped low, and Sheen leaped for the chute nearest her.

Stile, surprised by her facility, leaped after her. They accelerated, shooting down feet first around a broad bright curve of green, then into the first white vertical loop. Up and over, slowing dizzily at the top, upside down, then regaining velocity in the downshoot.

Sheen was moving well. Her body had a natural ron-dure that shaped itself well to the contour of the chute. The dust piled up behind her, shoving her forward.

Stile, following in the same channel, tried to intercept enough dust to cut off her supply and ground her, but she had too big a lead and was making too good use of her resources.

Well, there were other ways. This channel passed through a partial-gravity rise that was slow. Another channel crossed, going into a corkscrew. Stile took this detour, zipped through the screw, and shot out ahead of the girl.

She took another connection and got in behind him, cutting off his dust. This was the aspect of the Slide that was interactive: the competition for dust. Stile was grounded, his posterior scraping against the suddenly bare plastic of the chute. No dust, no progress!

He put his hand to the side, heaved, and flipped his body into the adjoining channel. This was a tricky maneuver, legitimate but not for amateurs. Here he had dust again, and resumed speed—but he had lost the momentum he had before. Sheen continued on in her channel, riding the piled dust, moving ahead of him—and now they were halfway down.

Stile realized that he had a real race on his hands.

This girl was good!

He vaulted back into her channel, cutting off her dust again—but even as he did, she vaulted into his just-vacated channel, maintaining her lead. Apt move! Ob-viously she had raced here many times before, and knew the tricks, and had more agility under that sweet curvature of body than he had suspected. But now he had the better channel, and he was unmatchable in straight dust-riding; he moved ahead. She jumped across to cut him off, but he was already jumping into a third chute. Before she could follow him, the two di-verged and he was safe.

They completed the race on separate channels. She had found a good one, and was gaining on him despite his careful management of dust. He finished barely ahead. They shot into the collection bin, one-two, to the applause of the other players who were watching. It had been a fine race, the kind that happened only once or twice on a given day.